This is experimental-forgive me.
The sun pours in through the open slit of your curtains. They’re curtains you took from the common room when management sent up new ones. You hate the new ones, not because they are new, ( even though that is a reason you hate a lot of things) it’s because they are thick like an overnight workers black out bedroom curtains. Thick so as to block all the sunlight except the bits that bleed through around the edges like puss on a bandaged wound. But you aren’t thinking about the curtains in the common room. You’re waking up gently to the lofi hip hop jam pulsating from Sebastien’s phone, he doesn’t stir, alarms don’t wake him up unless they are hanging in corners of buildings telling everyone to evacuate or die. You squeeze his shoulder and rock his torso back and forth. “ we gotta get up, we gotta go” you say, even though there is no rush. It’s your “weekend”, sure you have plans but the hostel won’t let you check in until two and it’s only an hours drive. Plus the sun feels nice, warming up the room from a cold night. Instead you lay there, back against the wall next to the person you love, listening to the sounds of your four other flatmates clink cutlery against porcelain bowls and teacups talking about their dreams and preparing for their work we all share. You feel yourself pleasantly drifting…slowly fading…
It’s Twelve:Thirty and you’re laughing because Sebastien has taken your camera and started to take silly nothingness photos of the roads and moving cars and signs while you’re driving. A man on a scooter driving down the sidewalk, a dump truck, a large painting on a road train that says “ WE WANT YOU” in large white pasty letters. You’re reminded of all the american insignia of Uncle Sam and the second world war. Sebastien then turns the lens toward you, you cringe. But you quickly get over it. They are just photos, and you’re just a skin sack that holds water, and tea, and some nights-wine.
You two are on your way to Huka Falls, one of the most famous waterfalls in New Zealand. You had a picture of the famous falls as your phone background in the months before you left. You remember reading that “Huka” means “foam” in Maori language. When you arrive at the falls you finally understand why they have names it so. The falls were created after the great volcano eruption of Oruanui in Taupo about 26,000 years ago. The Waikato river ( the river that is apart of the Huka falls) was dramatically narrowed from its original one hundred meter width to fifteen, creating a rush of tumbling turquoise water falling over and over itself for twenty meters until a sudden eleven meter drop into a deep circular basin. Water churns itself like the churn cycle of a washing machine. (what is that?) You stand on the bridge that crosses the falls and stare into to hypnotic churn of the cascading river. Somehow you hear the click of a shutter. Sebastien has procured your camera once again and is snapping photos of you staring into the abyss.
You laugh and motion to him to give the camera back. He obliges. You tell him to stand in where you were standing and you pull the camera up to your good eye. He rests his elbows on the railing and does a quarter turn to his right to look over his shoulder. He gives you a ridiculous face that catches you off guard. You aren’t sure if you should snap the photo now or wait for him to make a normal face. He doesn’t, and you realise that he will not-he never does, at least not for photos. It’s a silly trait but you really love it. *click* it’s adorable.
You let Sebastien hold on to your camera while you explore the surrounding areas. You tell him there is a lens attachment that allows you to take macro shots. You watch as he trots away with your camera, happy and excited. He spends time exploring the edges of the walking path. It’s fun to see the world through his eyes. It’s like- and don’t read this the wrong way- a child grabbing the family home video camera from dads hands and running through out the family pool party. What you mean is; he has a way of taking photos that feels so real- up close, imperfect but creative and without bounds. It’s like he is thinking outside of a box that no one ever told him was a cube. Rules don’t matter, just pure child like experimentation-innocence, beauty.
The sun is setting and your sitting across from Sebastien, a small wooden table that looks like it was salvaged and lacquered- but only just enough to make it useable for sitting wet glasses and tin food trays on- sits between you two. A metal pole with a rusting number tag sits in the middle of the table. You aim your camera through the edges of the numbers that are carved out of the rusting metal. While you adjust your aperture and shutter.
You and Sebastien talk about traveling and being so far away from home. You talk about how it’s different than he thought it would be. It’s harder, in a scraping out the inside of your soul-your being- kind of way. In a ripping your heart out and placing it in front of you to examine kind of way. In the this is the best thing you could be doing kind of way. You talk about how it’s exactly what it’s meant to be. Being so far from the things you used to blame your problems on- you are left with only you, and the problems that never left. You talk about the rough waters that have been and the rougher seas to come, but on the walk back to your hostel you both hold hands and smile. Everything is just as it needs to be, just as it should be, just as it will be.
*************
Have you ever pulled over on the side of the road in the middle of the country to gauke at rainbow nestled in the jagged, rolling vertebrae of the once split earth? Somewhere between National Park (pop. 174) and Te Kuiti(pop.4,640) you do just that. It’s a half day later and the two of you are a little hung over but the road is long straight, which is unusual for this part of the world. You feel safe-at last- to leave the car resting, engine off, so that you may step out and breathe in the wet valley air. Sebastien opens the passenger side door and rests his chin on the fold of his arms in the open window gazing just ahead. You smile to yourself, and to his sleepy eyes, and to the world around you. You pull the camera up to your good eye and adjust the aperture and shutter to allow just the right amount of light into your camera lens. You half push in the small silver shutter release to focus on the scene at hand, knowing full well that the photo that will be captured will only be a distorted perception of what you are seeing, there will never be a photo taken that can express or accurately mimic what you preserve at reality. *click*
It’s shit, but oh well.